Madame Bovary
Ballet

90 minutes

Madame Bovary

Flaubert's masterpiece, Madame Bovary, choreographed and directed by the renowned Valentina Turcu, is a dramatic ballet that is a passionate and simultaneously poignant vision of Emma's inner world.

Madame Bovary

"I have long been interested in the hidden spaces in the depths of the human psyche, the complex states of emotional journeys of these seemingly ordinary people, the psychological motivation of each character, and above all, the pure, powerful, vulnerable, and unpredictable atmosphere," said choreographer and director Valentina Turcu ahead of the ballet's world premiere at the Slovenian National Theatre Maribor.

The world of Emma Bovary is imbued with fake news, false beauty, false relationships, the desire for approval and recognition, and the yearning for attention from people, often equally banal and spiritually empty. Bovary's insatiable desire for love and adventures, her loneliness, unbearable boredom, and self-destructive behavior were fundamental guidelines in Valentina Turcu's artistic exploration, creating a convincing theatrical atmosphere of a new reality in which the iconic literary heroine Emma struggles with the unbearable pressures of society. The passionate and simultaneously poignant choreographic vision of Emma's inner world perfectly matches Chopin's music, which is occasionally complemented by the works of Philip Glass.

Aesthetically refined, psychologically deep, and exceptionally synchronized with the music of Chopin, Glass, and other composers, with glamorous costumes and set design, this ballet, which feels like a film, speaks to the incredibly high artistic standards and creative power of Valentina Turcu. From a woman in love, to someone suffocated by the monotony of life with an unambitious husband, yearning for pleasure and a different life, a woman driven by illusions and insatiable desire, to her agony, mental breakdown, and eventual collapse – this entire arc of emotions unfolds in one continuous tempo. The emotional expressiveness of Irina Čaban Bilandžić, which is part of her dance expression, always flawlessly executed, is in this performance enhanced by delicate sensuality and eroticism. Passionate and tragic, the role is a true triumph for the prima ballerina of the Split Ballet! (Jasenka Leskur)

Choreography, direction, dramatrugy and music concept

Valentina Turcu

Music

Frédéric Chopin, Philip Glass, izabrani autori

Set Design

Marko Japelj

Costume Design

Alan Hranitelj

Light Design

Aleksandar Čavlek

Video Design

Martin Svobodnik

Assistant Choreographers

Milka Hribar Bartolović, George Stanciu, Sytze Jan Luske, Anton Bogov

Balletmasters

Albina Rahmatullina

Costume Design Assistant

Vesna Novitović

Sound Design Petar Ivanišević
Production Assistant Gorenka Žižić Jagar
Stage Manager Tetyana Borščagivska

Emma Bovary

Irina Čaban Bilandžić

Charles Bovary

Tamas Darai

Léon Dupois

Danil Podhruško

Rodolphe Boulangeur

Valerij Ljubenko

Madame Homais

Eva Karpilovska

Monsieur Homais

Leonardo Souza

Felicité

Ajla Yusupzhanova

Justin

Jake Milston

Mother Bovary

Matea Milas

Father Bovary

Igor Gluškov

Madame Lheureux

Kristina Burić

Madame Lefrancais

Nikol Marčić

Viscont

Daniel Jagar

Madame Langlois

Ami Inoue

Monsieur Langlois

Takafumi Tamagawa

Madame Caron

Ania Bartkowski

Monsieur Caron

Gaizka Andres Carcel Barrett

Madame Tuvache

Jelizaveta Nadenenko / Josephine Mansfield

Monsieur Tuvache

Emanuele Sardo

Madame Dubreuil

Rimi Mizuoka

Monsieur Dubreuil

Matteo Valente